Click here to read: “Deerhoof is often said to have grown more accessible over its twenty-five years. Greg Saunier and Satomi Matsuzaki couldn’t agree less.”
Click here to read: “Though FKA twigs’ now-field-dominating video and dancing work would arguably advance…“Two Weeks” remains, by far, her most viewed visual…”
Click here to read: “With a new mural and a thirty-year retrospective exhibit on display in Downtown LA, the massively influential artist is moving forward while looking back.”
Click here to read: “Try to picture complete silence between the opener and headliner at your venue. Difficult, right?”
Click here to read: “Throughout the decade, Clark’s shows would continue to rope in showgoers…”
Click here to read: “Analog Fluids Of Sonic [Black] Holes is even more grating and—thanks to modulated samples of spirituals—dystopian than its predecessor.”
Click here to read: “In rebuilding herself after heartbreak, the artist has never sounded so human.”
Click here to read: “Davis doesn’t want to be a “Dirty Teenager”—and on her indie-rock debut Trophy, she isn’t.”
Click here to read: “Although many venues, artists, and primary ticket sellers have taken umbrage with secondary ticket sellers, ticket resale is here to stay.”
Click here to read: “A pop album with beats that don’t thump so much as they shuffle, fuss and fold.”
