Madeline Kenney Finds Joy—and Trepidation—on ‘Sucker’s Lunch’ (for Paste Magazine)
Click here to read: “On her third LP, the Oakland dream-pop musician reflects on both the ecstasy and excruciation of love.”
Click here to read: “On her third LP, the Oakland dream-pop musician reflects on both the ecstasy and excruciation of love.”
Click here to read: “Alejandra Ghersi’s first proper studio album post-transition is her most fun, pop-oriented, guest-filled—and plain best—yet.”
Click here to read: “Mike Hadreas’ contorted fifth album finds both pain and pleasure in the body-brain divide.”
Click here to read: “Describing the massive scope of Grae’s music as ambitious is akin to labeling a stab wound a scrape.”
Click here to read: “The seminal rock band’s long-awaited sixth album The New Abnormal is, as ever, equally exciting and drab.”
Click here to read: “If the British duo’s tales sound concerning, know that they’re laced with irony and distaste.”
Click here to read: “The Australian rock band worries that even radical leftists aren’t going Far Enough.“
Click here to read: “Nandi Rose cuts down on explosive synths while mining her longtime interests: distance and change”
Click here to read: “Every Bad is a document of indecision, of swinging between extremes, of wrestling with contradictory thoughts.”
Click here to read: “On Full Hand, the Indiana-based Hoops member vaguely faces the struggle between queerness and religion.”