Click here to read one of my two contributions to FLOOD’s 11th print edition: “NNAMDÏ, Sen Morimoto, Glenn Curran, KAINA, and Blacker Face, the label’s co-founders and artists, wind up. . .
Click here to read: “Glass Animals, Jessy Lanza, Thao & the Get Down Stay Down, Evanescence, and their video directors talk about transcending quarantine’s creative limits.”
Click here to read: “The narrator of Rose’s new album Superstar is an ostentatious caricature, but their journey speaks to real concerns.”
Click here to read: “Meg Remy and her band’s newest album, Heavy Light, may at first seem apolitical, but it’s really just a radically different take on longtime interests.”
Click here to read: “His long-awaited seventh album, Suddenly, is an exercise in empathy.”
Click here to read: “Bethany Cosentino (one half of BC, along with Bobb Bruno), talks Always Tomorrow and how she got to the point of finally feelin’ good and getting. . .
Click here to read: “The Hop Along singer walks us through the art gallery of her dreams.”
Click here to read: “Deerhoof is often said to have grown more accessible over its twenty-five years. Greg Saunier and Satomi Matsuzaki couldn’t agree less.”
Click here to read: “With a new mural and a thirty-year retrospective exhibit on display in Downtown LA, the massively influential artist is moving forward while looking back.”
Click here to read: “In September 2017, Kassie Carlson went to the hospital, complaining of flu-like symptoms. She left six weeks later, recovering from open-heart surgery. As it turned out,. . .
