Jesse Kivel’s Guide To Los Angeles Via the Landmarks of ‘Infinite Jess’ (for FLOOD Magazine)
Click here to read: “Kivel’s new LP is his memory map of LA, so we invited him to walk us through his version of the city.”
Click here to read: “Kivel’s new LP is his memory map of LA, so we invited him to walk us through his version of the city.”
Click here to read: “The Boston rock band Krill is back with a new name, a new member, years of activist experience, and plenty to say about living politically.”
Click here to read one of my two contributions to FLOOD’s 11th print edition: “NNAMDÏ, Sen Morimoto, Glenn Curran, KAINA, and Blacker Face, the label’s co-founders and artists, wind up. . .
Click here to read: “Glass Animals, Jessy Lanza, Thao & the Get Down Stay Down, Evanescence, and their video directors talk about transcending quarantine’s creative limits.”
Click here to read: “The narrator of Rose’s new album Superstar is an ostentatious caricature, but their journey speaks to real concerns.”
Click here to read: “Meg Remy and her band’s newest album, Heavy Light, may at first seem apolitical, but it’s really just a radically different take on longtime interests.”
Click here to read: “His long-awaited seventh album, Suddenly, is an exercise in empathy.”
Click here to read: “Bethany Cosentino (one half of BC, along with Bobb Bruno), talks Always Tomorrow and how she got to the point of finally feelin’ good and getting. . .
Click here to read: “The Hop Along singer walks us through the art gallery of her dreams.”
Click here to read: “Deerhoof is often said to have grown more accessible over its twenty-five years. Greg Saunier and Satomi Matsuzaki couldn’t agree less.”