Click here to read one of my two contributions to FLOOD’s 11th print edition: “NNAMDÏ, Sen Morimoto, Glenn Curran, KAINA, and Blacker Face, the label’s co-founders and artists, wind up. . .
Click here to read my blurbs about PJ Harvey’s “Oh My Lover” and Sade’s “Smooth Operator.”
Click here to read my blurb about Cocteau Twins’ Heaven or Las Vegas.
Click here to read my blurbs about Fiona Apple and Rina Sawayama.
Click here to read: “Alejandra Ghersi’s first proper studio album post-transition is her most fun, pop-oriented, guest-filled—and plain best—yet.”
Click here to read: “Glass Animals, Jessy Lanza, Thao & the Get Down Stay Down, Evanescence, and their video directors talk about transcending quarantine’s creative limits.”
Click here to read: “The town hall meeting addressed injustice, the power of donating, and mentoring Black youth.”
Click here to read: “Mike Hadreas’ contorted fifth album finds both pain and pleasure in the body-brain divide.”
Click here to read: “Describing the massive scope of Grae’s music as ambitious is akin to labeling a stab wound a scrape.”
Click here to read: “Nandi Rose cuts down on explosive synths while mining her longtime interests: distance and change”
