Half Waif Scales Back on ‘The Caretaker’ (for Paste Magazine)
Click here to read: “Nandi Rose cuts down on explosive synths while mining her longtime interests: distance and change”
Click here to read: “Nandi Rose cuts down on explosive synths while mining her longtime interests: distance and change”
Click here to read: “The narrator of Rose’s new album Superstar is an ostentatious caricature, but their journey speaks to real concerns.”
Click here to read: “Meg Remy and her band’s newest album, Heavy Light, may at first seem apolitical, but it’s really just a radically different take on longtime interests.”
Click here to read: “…its 12 songs are riveting enough to suggest that the full Grae will rank among 2020’s most exciting albums.”
Click here to read: “Claire Boucher strains for meaning on her hotly anticipated fifth album.”
Click here to read: “The Slow Rush isn’t quite as interesting as its predecessors in terms of songwriting and production, and this gap makes Parker’s lyrical weaknesses more challenging to. . .
Click here to read: “The Brooklyn-via-Norway bedroom pop artist’s sophomore LP is equally earnest and ironic.”
Click here to read: “In chronicling an “inner break,” Stella Chronopoulou delivers her strongest LP yet.”
Click here to read: “Rose sings about their [narrator’s] ego inflating so severely that they’ll do anything to feel the way they want.”
Click here to read: “As ever, the UK artist peaks while in full-on club mode.”