Moses Sumney’s ambitious ‘Grae’ destroys binaries from within (for The A.V. Club)
Click here to read: “Describing the massive scope of Grae’s music as ambitious is akin to labeling a stab wound a scrape.”
Click here to read: “Describing the massive scope of Grae’s music as ambitious is akin to labeling a stab wound a scrape.”
Click here to read: “…its 12 songs are riveting enough to suggest that the full Grae will rank among 2020’s most exciting albums.”
Click here to read: “The Slow Rush isn’t quite as interesting as its predecessors in terms of songwriting and production, and this gap makes Parker’s lyrical weaknesses more challenging to. . .
Click here to read: “Throughout the LP…Deacon reckons with his nerves, strips his voice of digital effects, and advances the dismembered frenzy of Gliss Riffer…”
Click here to read: “Rose sings about their [narrator’s] ego inflating so severely that they’ll do anything to feel the way they want.”
Click here to read my thoughts on all my favorite albums of 2019 (plus an EP and some songs).
Click here to read my blurbs about Angel Olsen and Cate Le Bon.
Click here to read: ‘”No Pude” picks up right where she left off.’
Click here to read: “Systems pulls listeners into Haai’s twisted late-night realm of thumping bass clatter; double-time digital kicks; and samples of African, Turkish, and East Asian music.”
Click here to read my blurbs about Courtney Barnett and Weyes Blood, plus a longer blurb about FKA twigs.