Click here to read: “Frontperson Dara Kiely’s language less resembles the mumblings of a person disconnected from reality than those of someone whose anxieties are entirely relatable.”
Click here to read: “On the Icelandic icon’s 10th album, intricately arranged songs of grief and love initially come off imposing, but gradually build a fascinating world.”
Click here to read my blurbs on Soundgarden’s Superunknown and Radiohead’s The Bends.
Click here to read: “Sharper songwriting, unbridled vocal performances, and more austere industrial textures give Luis Vasquez’s fifth album a new level of depth and candor.”
Click here to read: “Painter Steve Keene discusses structuring your creativity, building community with your audience, and the process itself being the performance.”
Click here to read: “A grand attempt to capitalize on her recent brushes with the mainstream, Hold the Girl gives Sayawama’s fans space to process their own traumas and unravel…
Click here to read: “With chirping guitars and prismatic synths, the Baltimore band’s mellow, filigreed psych-pop has a beguiling appeal.”
Click here to read: “Using their dance music alter ego, former Ava Luna vocalist Becca Kauffman gets more personal and philosophical while maintaining their whimsical sense of humor.”
Click here to read: “Sacred Bones label co-founder Caleb Braaten on earning trust with musicians and listeners, defining success on your own terms, and not being afraid to make mistakes.”
Click here to read: “Musician and photographer Nick Zinner on why context is more important than genre, quieting your inner critic, and the value of focus.”
