Click here to read: “Frontperson Dara Kiely’s language less resembles the mumblings of a person disconnected from reality than those of someone whose anxieties are entirely relatable.”
Click here to read: “On the Icelandic icon’s 10th album, intricately arranged songs of grief and love initially come off imposing, but gradually build a fascinating world.”
Click here to read: “A grand attempt to capitalize on her recent brushes with the mainstream, Hold the Girl gives Sayawama’s fans space to process their own traumas and unravel…
Click here to read: “Abby Hwong journeys through their past to reach a place of liberty, affirmation and safety.”
Click here to read: “In her vastest music yet, the Slavic-American art-pop musician walks through the fires of turbulence and emerges a more balanced person.”
Click here to read: “Now a duo, the D.C. band often sing quietly where they once playfully sneered, and their guitars often purr where they once roared.”
Click here to read: “The Irish quintet’s second album, a tornado of distorted dissonance, places them among the vanguard of the British Isles’ ever-crowded post-punk scene.”
Click here to read: “Barrie is now a glistening, confident synth-pop act with tinges of folk, and the warm yet tentative hue that clouded Happy to Be Here is mostly gone.”
Click here to read: “On her second LP, the Los Angeles musician swaps her debut’s shoegaze for more aggressive sounds—and creates her best songs yet.”
Click here to read: “On her long-gestating debut album, Glass sounds like she’s walking through memories of being emotionally abused, rather than raging with daggers out.”
