NoSo Shows Their Work on Their Dream-Pop Debut ‘Stay Proud of Me’ (for Paste Magazine)
Click here to read: “Abby Hwong journeys through their past to reach a place of liberty, affirmation and safety.”
Click here to read: “Abby Hwong journeys through their past to reach a place of liberty, affirmation and safety.”
Click here to read: “In her vastest music yet, the Slavic-American art-pop musician walks through the fires of turbulence and emerges a more balanced person.”
Click here to read: “Now a duo, the D.C. band often sing quietly where they once playfully sneered, and their guitars often purr where they once roared.”
Click here to read: “The Irish quintet’s second album, a tornado of distorted dissonance, places them among the vanguard of the British Isles’ ever-crowded post-punk scene.”
Click here to read: “Barrie is now a glistening, confident synth-pop act with tinges of folk, and the warm yet tentative hue that clouded Happy to Be Here is mostly gone.”
Click here to read: “On her second LP, the Los Angeles musician swaps her debut’s shoegaze for more aggressive sounds—and creates her best songs yet.”
Click here to read: “On her long-gestating debut album, Glass sounds like she’s walking through memories of being emotionally abused, rather than raging with daggers out.”
Click here to read: “Brooklyn experimentalist Taja Cheek is in a constant state of flux on her sophomore album, and her warbly, yet instantly memorable music follows suit.”
Click here to read: “Meagan Rodriguez designed her second album to resemble the ins and outs of mentally spiraling, winding up with a handful of the year’s best low-key dance…
Click here to read: “On her aquatic second album, Chicago-via-London musician Lillie West embraces transformation more than ever before.”