Click here to read: “Brooklyn experimentalist Taja Cheek is in a constant state of flux on her sophomore album, and her warbly, yet instantly memorable music follows suit.”
Click here to read: “Meagan Rodriguez designed her second album to resemble the ins and outs of mentally spiraling, winding up with a handful of the year’s best low-key dance…
Click here to read: “On her aquatic second album, Chicago-via-London musician Lillie West embraces transformation more than ever before.”
Click here to read: “Alan Sparhawk and Mimi Parker’s 13th album in nearly three decades—and first as a duo—is a visceral treatise on modern-day existential dread.”
Click here to read: “The fifth album from Nate Amos and Rachel Brown finds them doing what they’ve always done, better than ever before.”
Click here to read: “On her first solo album in 11 years, Annika Henderson continues exploring personal and political power, with a clearer sound than ever before.”
Click here to read: “The production wizard’s second album is his most compact work yet, which is alternately a boon and a crutch.”
Click here to read my blurb about Primal Scream’s Screamadelica.
Click here to read: “The British quintet’s utter disregard for rock convention elevates Bright Green Field’s paranoid, vaguely dystopian universe.”
Click here to read: “The longtime electronic innovator’s sixth album sees her at once expanding her palette and vision while keeping her roots firmly grounded.”
