Pitchfork’s 150 Best Albums of the 1990s: Soundgarden, Radiohead blurbs
Click here to read my blurbs on Soundgarden’s Superunknown and Radiohead’s The Bends.
Click here to read my blurbs on Soundgarden’s Superunknown and Radiohead’s The Bends.
Click here to read: “Sharper songwriting, unbridled vocal performances, and more austere industrial textures give Luis Vasquez’s fifth album a new level of depth and candor.”
Click here to read: “With chirping guitars and prismatic synths, the Baltimore band’s mellow, filigreed psych-pop has a beguiling appeal.”
Click here to read: “Using their dance music alter ego, former Ava Luna vocalist Becca Kauffman gets more personal and philosophical while maintaining their whimsical sense of humor.”
Click here to read: “With producer Redinho, the Greek pop artist smooths out some of her defining idiosyncrasies, embracing new sounds but lacking the vision to transcend her influences.”
Click here to read: “The trio’s latest is a beautiful mess of squelchy psych-pop—emphasis on pop—where effervescent instrumentals soundtrack an earnest and hard-earned lust for life.”
Click here to read: “The Brooklyn punks remain focused on the ceaseless challenges of living in the big city, but their overdriven guitars no longer sound quite as bitter or…
Click here to read: “Armed with a bag full of vintage mixtapes that he discovered in the trunk of a used car, the Toronto producer and U.S. Girls affiliate whips…
Click here to read: “Brooklyn-based musician Kam Tambini layers roaring guitars, Latin rhythms, and his own low-pitched, sighing vocals to explore the mundanity of city life.”
Click here to read: “After the comparatively bleak experimental club sounds of 2018’s Power, the Berlin-based Texan producer embraces the warmth and intimacy of slow-paced R&B, sounding newly at ease.”