The below is just a small sample of my published writing over the years:


Inside the Crazy World of Perfume Genius’ Newsletter” (October 2021)


Guerilla Toss: Famously Alive review (March 2022)

Lotic: Water review (December 2021)

SPELLLING Embraces Death and Strings on the Orchestral “Little Deer”” (April 2021)

MTV News

There’s a Mental-Health Crisis Among Musicians. How Can We Solve It?” (May 2022)

The Prying Eyes of Snail Mail’s Valentine” (November 2021)

Indigo de Souza Is Just Being Honest” (August 2021)

The A.V. Club

Bloc Party attempts a revival on the uneven Alpha Games” (April 2022)

Portishead’s Third still sounds like nothing else, including Portishead” (February 2022)

The best albums of 2021: The Ballots” (December 2021)

The 20 best albums of 2021 (Halsey, The Weather Station blurbs)” (December 2021)

The Creative Independent

Musician Dan Bejar on letting your art guide you” (April 2022)

Author R. Eric Thomas on the importance of getting out into the world” (February 2022)

Writer Dan Ozzi on finding your audience” (October 2021)

FLOOD Magazine

FLOOD 12 Cover Story: The Community of Phoebe Bridgers’ Saddest Factory Records (February 2022)

“The Best Songs of 2021” (Remi Wolf blurb) (December 2021)

Mykki Blanco Is Here To Stay” (June 2021)

SOPHIE’s Loss Is Devastating for Pop Music, LGBTQ+ Culture, and Everything Between” (February 2021)

Paste Magazine

Alice Glass Works Through Her Trauma Objectively on PREY//IV” (February 2022)

No Album Left Behind: QRTR’s infina ad nausea Is Club Music Designed for Spiraling” (December 2021)

Bandcamp Daily

On “What Would the Odd Do?” Guerilla Toss Bid Farewell to Addiction” (October 2019)

Chicago’s Futurehood Elevates Queer and Trans Artists of Color” (November 2018)


How Sounds Australia Is Paving Global Paths for Australian Artists” (June 2019)